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I’m hoping for more of the former and less of the latter this long weekend…
… but they do make for very beautiful sunsets :)
Hope y’all have a good one!
I have long had an interest in the Mexican folk art, and in particular the nichos / shadow boxes, produced for the Dia de los Muertos (Day of the Dead) festival. Although the festival and the associated art and craft may appear morbid to some I’ve always understood them as a celebration of life rather than a dwelling on death, and as a humorous nod to the inevitability of death – it’s gonna happen so let’s not waste our time fretting about it. Many nichos I’ve come across include dancing skeletons, making music, falling in love - what’s not to like!
So, when an important birthday approached in April, and I was a bit stuck for a gift idea, I decided to construct a Mexican nichos-inspired diorama / mixed media assemblage as a gift. The recipient is also a fan of Dia de los Muertos folk art, a dedicated lover of music (sometimes, but not necessarily, of the diabolical kind), and has a burgeoning collection of skull related artworks (by the likes of Femke Hiemstra, William Schaff, Huck Gee, Banksy, Brian Morris et al)… so a music-themed skully nichos it had to be.
I had originally thought I’d make the musician figures myself, but soon realised that if I wanted them to have an authentically Mexican feel I’d be better off finding figures made by a Mexican craftsperson… someone who knows what they’re doing! Luckily there’s a shop in Amsterdam that caters to all one’s Mexican folk arts ‘n crafts needs (details of said wonderful shop included below). I was able to hand pick my mariachi band from their great collection of Dia de los Muertos figures – two Spanish guitarists, a trumpeter, a violinist, and both a male and a female vocalist. This was going to be some party!
My Mariachi band needed a hellfire and brimstone set on which to play their diabolical tunes. I wanted to create a kind of cavernous, fiery underworld while still keeping it colourful and densely patterned like the Mexican nichos are. I also wanted an excuse to include plenty of cut paper – I love the papercutting process but don’t do enough of it, so needing layers and layers of flames gave me plenty of opportunity to immerse myself in the process.
flame cutting
devilish skull drawing
watercolour and gouache background painting
putting the layers together
layered
and the final assemblage
I had so much fun constructing this thing and have plans to make more shadow boxes, less overtly (or not at all) Dia de los Muertos-themed but incorporating the techniques I learnt while making this one. The possibilities are endless!
Should you have a hankering to make your own shadow box then these are the materials you’ll need:
- a box frame – I used Ikea’s 23x23cm Ribba, which is about 4.5cm deep. I think it would be better to work with a deeper box frame, so if you’re good with wood you could custom-make your own!
- scalpel with swivel blade - I find the swivelling blade makes it easier to cut fluid shapes, but any sharp blade would do.
- A variety of papers - I used Daler Rowney‘s smooth Canford papers (150gsm) in a range of fiery hues for the flames, and slightly textured Canson pastel papers for the background painting and foreground papercuts. The furthest layer of flames is a translucent orange paper (brand unknown) allowing the background painting to show through and increasing the sense of depth.
- Drawing and/or painting materials – I used water-soluble pencil crayons, watercolour and gouache for the background image.
- Spray glue, and possibly a glue pen if fiddly, pin-point sticking is required (this is one of the best I’ve used… and I’m not just saying that because of its name :)
Although the layers of flames are stuck one on top of the other I left the upper parts of their ‘tongues’ glue-free and loose, to increase a sense of depth and movement as the light changes and shadows shift. - Things/objects (figures, or whatever takes your fancy) to put inside the box.
The shop mentioned above is Santa Jet, Prinsenstraat 7, Amsterdam. Their website is currently ‘under construction’ but here’s the URL anyway: http://www.santajet.com/ (in case a more detailed website makes an appearance in the future). And here’s a pic of the shop’s colourful interior. I’d highly recommend a visit to Santa Jet if you’re passing through Amsterdam.
I have been on holiday for the past couple of weeks and have mostly been staying clear of the computer. I’ve been happily immersed in…
… a couple of great exhibitions
Japanese Illustrated Books from the 17th – 20th Century - sadly this exhibition ended yesterday (6 January) so I am too late to urge anyone in the vicinity to go and see it, but it included some incredibly beautiful work. I particularly liked Watanabe Seitei‘s “Crow & Ginkgo Leaves” (1916) – such bold framing/cropping of the subject juxtaposed with masterfully delicate draftsmanship! (As is so often the case the web image above doesn’t really do the original justice).
Barcelona 1900 - a look at some of the art, design and architecture that emerged in Barcelona during its rapid, sometimes turbulent, transformation at the end of the 19th Century. As a confirmed Gaudi fan I enjoyed seeing his beautiful oak and ash chairs and doorframes designed for Casa Batlló, and there were plenty of other ‘Modernista‘ gems to discover. The exhibition is on at the Van Gogh Museum (Amsterdam) until 20 January.
… some simple knitting
I’ve quickly come to realise that Amsterdam is colder than London in the winter and greater neck protection is required! For expediency (and due to a lack of skillz!) I have kept this scarf simple. I’m generally not one for following patterns and have allowed the colour and texture of the yarn to dictate the ‘design’. This yarn is a nicely soft (good for neck proximity!) blend of Merino and Corriedale wools and is hand spun & dyed by members of the Manos del Uruguay cooperative. (Manos del Uruguay is a non-profit organisation comprised of more than 400 artisans in cooperatives scattered throughout the countryside of Uruguay. The organisation’s mission is to bring economic and social opportunities to rural women).
Next time I have to ride my bike in an Amsterdam snow ‘flurry’ I’ll hopefully be better equipped!
… a mural painting
Still a ‘work-in-progress’ – I will upload some pics when it’s done. (The basic design was inspired by my wintery tree papercutting endeavours in December).
… a pile of good books & a few Dutch language lessons
In fact, I’ve been so relaxed these past two weeks I’ve worn out my favourite pair of pyjamas and have reluctantly had to set them free…
And so to 2008…
I have a shelf crammed with notebooks full of half-formed (and some, frankly, ill-formed) project ideas but I’ve struggled to know where or how to begin for the longest time. In 2008 I’m going to try to worry less about the why’s and wherefore’s and simply start…
Phew… finally done (with the cards mentioned in an earlier post)
Cutting the paper tree inserts was positively addictive (if a little time-consuming!), and generated hundreds of interesting ‘negative space’ shapes which I hope to be able to put to good use in some future collage project.
Next year I think I might send a ‘bulk sms’ :-)
Cards to give away…
I have a couple of extra cards (I made a few more than needed, cf cutting addiction!) – if you’d like ‘em to pass on to your friends or family this Christmas leave a comment and I’ll post them to you a.s.a.p. (be sure to include an email address so I can contact you for your postal address). I realise time is short so hopefully they will arrive before Christmas… I guess it will depend on where you are in the world and how quickly our respective postal services work!
(I’ll be sending two cards: one of each design, both with hand-painted ‘starry sky’ motifs on the front and a hand-cut paper tree insert. Each card will come with a black envelope, also hand-painted with a ‘starry sky’ motif in pearlescent ink).
